Gagosian Gallery presents “Richard Prince: de Kooning” an exhibition of paintings and works on paper. This coincides with “Richard Prince: American Prayer” at the Bibliothèque nationale de France, an exhibition of American literature, ephemera and artworks from Prince’s personal collection.
Prince’s “de Kooning” series is a process of interaction with the canonic imagery of the Abstract Expressionist idol Willem de Kooning. The idea for these edgy Oedipal works came to him when he was leafing through a catalogue of de Kooning’s Women series. He started sketching over the paintings, sometimes drawing a man to de Kooning’s woman. As time went on, he began applying fragments of male and female torsos, genitalia, thighs, and facial features, cut and pasted from catalogues and vintage porn magazines, as well as drawing with graphite and oil crayon, adding outlines, silhouettes and textures to the original figures that further blur the distinction between de Kooning’s imagery and Prince’s own.
From these intensely worked drawings evolved a series of paintings that are, similarly, montages of elements from de Kooning’s original paintings with figures cut from printed matter. The results are blown up onto large canvases via ink-jet printer, then the original material all but painted over. From the resulting abstract grounds, Prince then conjures up crude figures that recall de Kooning’s savage female subjects. The resulting hermaphroditic creatures are hybrids on several levels, merging male with female, painting with photography and print, and the refinement of modernist art with the vulgarities of mass cultural representation. Both homage and desecration, the de Kooning paintings exemplify Prince’s vision of a “Spiritual America,” a historical consciousness fueled by a pervasive desire for rebellion and reinvention.
Mining images from mass media, advertising and entertainment since the late seventies, Prince has redefined the concepts of authorship, ownership, and aura. Applying his understanding of the complex transactions of representation to the making of art, he evolved a unique signature filled with echoes of other signatures yet that is unquestionably his own. An avid collector and perceptive chronicler of American subcultures and vernaculars and their role in the construction of American identity, he has probed the depths of racism, sexism, and psychosis in mainstream humor; and the mythical status of cowboys, bikers, customized cars, and celebrities. His most recent work is an explosive mix of pulp fiction, soft porn, and high art.
Richard Prince was born in 1949 in the Panama Canal Zone. His work has been the subject of major survey exhibitions, including the Whitney Museum of American Art, New York (1992); San Francisco Museum of Modern Art (1993); Museum Boijmans van Beuningen, Rotterdam(1993); Museum für Gegenwartskunst, Basel (2001, traveled to Kunsthalle Zurich and Kunstmuseum Wolfsburg); Serpentine Gallery, London (2008). The retrospective “Richard Prince: Spiritual America” opened at the Solomon R. Guggenheim Museum in 2007 and traveled to The Walker Art Center, Minneapolis in 2008. “Richard Prince: American Prayer”, an exhibition of American literature and ephemera from the artist’s collection, will be on view at the Bibliothèque nationale de France, Paris from March 29 – June 26, 2011.
Art collector Charles Saatchi has a gift for Britain. It includes Tracy Emin’s messy bed, Grayson Perry’s explicit pottery and a room full of engine oil. The advertising tycoon, whose patronage made household names of artists like Emin and Damien Hirst, announced Thursday he is donating his London gallery and 200 works in its collection to the nation as a new public art museum. The gallery said the works, valued at more than 25 million pounds ($37 million), will be given to the government. The 70,000-square foot (6,500-square meter) Saatchi Gallery will be renamed the Museum of Contemporary Art, London.
The artworks being donated include Emin’s “My Bed” — the artist’s famous recreation of her boudoir, complete with empty liquor bottles, condoms and cigarette butts — and Richard Wilson’s “20:50,” an eye-dazzling room filled with oil. There are also works by Perry — best known for vases adorned with disturbing twists on classical scenes — and artists from around the world, including China’s Zhang Dali and India’s Jitish Kallat.
Emin said she was thrilled by Saatchi’s gift. “I wish more people had that kind of vision,” she said.
Saatchi, co-founder of the Saatchi & Saatchi ad agency, was the main patron of the Young British Artists movement of the 1990s, which made Hirst and Emin millionaires.
He captured the public imagination with his 1997 exhibition “Sensation,” which included Hirst’s shark pickled in formaldehyde and Emin’s tent appliqued with the names of “Everyone I Have Ever Slept With 1963-1995.”
The show’s impact lived up to its name. When it opened in New York in 1999, then-mayor Rudolph Giuliani was so offended by Chris Ofili’s portrait of the Virgin Mary adorned with elephant dung that he temporarily cut off funding to the Brooklyn Museum. The exhibition’s success helped make Saatchi one of the art world’s most powerful figures.
“He was part of the perfect storm of British art’s success,” Perry said. Since then Saatchi — who is married to celebrity chef Nigella Lawson — has continued to collect, amassing a vast collection. The gallery said even after the donation, Saatchi would still own “many hundreds” of works.
“I think he has a scatter-gun approach but in his trawling he’s picked up some extraordinary stuff,” Perry said. “This is by no means an insignificant gift. It’s the cream of the crop.”
Saatchi’s current gallery opened in 2008 in London’s affluent Chelsea neighborhood and has mounted shows by emerging artists from India, China and the Middle East. Saatchi’s announcement is a boost to an arts community worried about looming cuts to government funding. Britain’s Conservative-Liberal Democrat coalition government has said ministries will have to slash budgets by up to 25 percent to eliminate the country’s record deficit.
The aim is to keep the space free to the public, with operating funds coming from individual and corporate sponsorship along with revenue from its restaurant, bookshop and rentals for outside events held there. The gift would also include artworks that could be sold to acquire other art so that the museum could remain a showcase for the latest works.
Rebecca Wilson, associate director of the Saatchi Gallery, said as well as the 200-strong core collection, the gift includes other works that can be sold to buy new acquisitions to keep the collection changing and current. The British government has not yet accepted the gift, although discussions are in progress, said Ruth Cairns, a spokeswoman for the Saatchi Gallery, who added that she had no timetable for a final decision. Also unclear is when Mr. Saatchi plans to retire, which Ms. Cairns said had not yet been determined. A statement from the two-year-old gallery also said that Mr. Saatchi would receive no tax benefits from the gift.
She said Saatchi “wants to give London and the country something it wouldn’t have otherwise, which is a very agile collection that can respond quickly to developments in contemporary art from all over the world.”
The owner of the building that houses the gallery on London’s King’s Road, Cadogan Estate, said it hoped the new museum would remain in the same location “for the foreseeable future.” Wilson said the gallery’s staff and management team would stay in place, and Saatchi, who turned 67 last month, was not planning to retire anytime soon.
“He just wants to prepare things for the future and make sure the Saatchi Gallery retains its unique character,” she said.
Check out also an Interseting article about art donations, by Sarah Murray from the Financial Times, who wrote “Art smart: how to donate artworks”.
‘Save the Date’ Exhibition at Agnès b. @50 Howard street, New York, will include: Dan Colen, Ryan McGinley, Suitman, Rostarr, Harmony Korine and Jose Parla, this exhibition entitled ‘Save the Date’makes for a must see when the doors of Agnès b. open on April 1.
This year, the 42nd edition of Art Basel takes place in Basel, Switzerland, from June 15 through June 19, 2011. As the premier annual art show, Art Basel marks the summer reunion of the international artworld, hosted by the city of Basel, which has been a cultural capital for centuries.
More than 300 galleries from 35 countries on six continents will show works by over 2,500 artists of the 20th and 21st centuries. A frequent site of discovery by those seeking emerging artists, Art Statements features 27 one-person stands from rising galleries worldwide. Furthermore, exhibitors will present more than 50 ambitious works in the Art Unlimited sector. Bringing the show into the city, the site-specific projects and performances in the Art Parcours sector will transform a variety of locations throughout the St. Alban neighbourhood.
Complimenting Art Basel’s extensive offerings, the city’s museums and institutions once again stage fascinating exhibitions, featuring the artists Constantin Brancusi, Richard Serra, Francis Alÿs, R.H. Quaytman, Konrad Witz and Henrik Olesen.
Founded by a group of local gallerists, the first Art Basel took place in 1970 and the event has long ranked as the most prestigious annual art show worldwide. The quality and diversity of the artworks exhibited regularly attracts more than 60,000 artists, collectors, gallerists, museum directors, curators, and art enthusiasts. Art 42 Basel showcases every form of artistic expression, including paintings, drawings, editions, sculptures, installations, photography, performances, and video art. Inexpensive works by emerging artists are on offer, alongside museum-quality masterpieces priced in the millions.
More than 300 of the world’s leading galleries exhibit at Art Basel, selected from more than 1,000 applicants by the Art Basel Committee, an international jury of renowned gallerists. These include 73 from the United States; 50 from Germany; 32 from Switzerland; 31 from Great Britain; 23 from France; 20 from Italy; 8 from Belgium; 7 each from Japan and Spain; 6 from Austria; 4 each from Brazil and Poland; 3 each from China, Denmark, India, Norway and the Netherlands; 2 each from Canada, Ireland, Mexico, Portugal, Sweden, South Africa and Turkey and 1 each from Argentina, Finland, Greece, Hong Kong, Hungary, Iceland, Israel, Lebanon, Russia, Slovenia, South Korea and Thailand.
Art Galleries and Art Edition sectors
Once again, the world’s leading galleries will be exhibiting at the show, for which more than 99 percent of last year’s exhibitors reapplied. This year’s strong roster of returning participants are enhanced by diverse new exhibitors. Appearing for the first time in Art Galleries are Art: Concept (Paris), Blondeau (Geneva), Bortolami (New York), Isabella Bortolozzi (Berlin), Cabinet (London), gb agency (Paris), Holland-Hibbert (London), Joanna Kamm (Berlin), Regina (Moscow), Sfeir-Semler (Beirut), Standard (Oslo), and Vintage (Budapest). After a brief hiatus, Moeller Fine Art (New York) and Szwajcer (Antwerp) rejoin Art Basel’s exhibitors in the Art Galleries sector. The multiples specialists in Art Edition are joined by Three Star Books (Paris).
Art Statements Sector
A frequent site of discovery by those seeking to discover emerging artists, Art Statements this year spotlights 27 single-artist projects from younger galleries worldwide. The projects on display are new and created specifically for presentation in Art Statements. Since 1999, the Baloise Group has awarded its annual Baloise Art Prize to two outstanding Art Statements projects. This year, the prize stands at CHF 30,000 for each artist, in addition to which Baloise Group will also acquire works by the prize-winning artists and donate them to the Hamburger Kunsthalle and the MUMOK Museum Moderner Kunst Stiftung Ludwig Wien.
Art Feature Sector
After a highly-acclaimed debut last year, Art Feature focuses on precise curatorial shows. 20 gallery projects – featuring artistic dialogues, solo shows and exceptional art historical material – will be presented on both floors of Hall 2, alongside the Art Galleries sector. .
Art Unlimited Sector
Art Unlimited spotlights more than 50 ambitious works, many of them created especially for Art 42 Basel. With the accent on innovative and large-scale pieces, Art Unlimited offers everything from outsize sculptures and installations to video projections, wall paintings, and performances. The exhibition concept has once again been elaborated in collaboration with Geneva curator Simon Lamunière.
While the inauguration of this sector last year took place around Munsterplatz, this year Art Parcours will transform a variety of unique locations throughout the St. Alban neighbourhood. For the entire duration of the show, from 10 am to 10 pm, the second edition of Art Parcours offers visitors site-specific artworks and performances by internationally renowned artists and emerging talents. This array of high-caliber pieces – selected by Jens Hoffmann, Director of the CCA Wattis Institute in San Francisco – engages with today’s Basel and with its long history, weaving artistic interventions into the fabric of the city.
Art Basel Conversations and Art Salon
Staged every morning (June 15 to June 19), Art Basel Conversations bring together prominent members of the international art scene. The Premiere of the Art Basel Conversations features a legendary artist. Further topics include: ‘Public/Private: How Will Museums Be Able to Collect,’ ‘Collector Focus: Patronage and Politics,’ ‘The Future of Artistic Practice: The Artist as Urbanist,’ and ‘What is Alternative – Alternative to What?’ Additionally, an extensive daily program of artist conversations, book signings, discussion forums, and other presentations will take place in the Art Salon forum every afternoon.
After a successful launch of our Smartphone App last year, this year’s Art 42 Basel app will offer visitors even more functions. Created not only for iPhones, iPads and iPod Touchs, but also Blackberrys and all the other smartphones, the Art Basel App will be ready for download at the end of May.
Museums in Basel
The exceptional lineup of shows this year during Art 42 Basel includes: ‘Francis Alÿs: Fabiola’ presented by Schaulager at the Haus zum Kirschgarten; ‘Konrad Witz – The Unique Exhibition’ at the Kunstmuseum Basel; ‘Constantin Brancusi and Richard Serra’ at the Fondation Beyeler; ‘Henrik Olesen’ at the Museum für Gegenwartskunst; ‘Car fetish: I drive therefore I am’ at the Tinguely Museum; ‘R.H. Quaytman: Spine, Chapter 20’ at the Kunsthalle Basel; and at the Vitra Design Museum, ‘Zoom: Italian Design and the Photography of Aldo and Marirosa Ballo.’
EcoArt uses art as a platform for drawing attention to the environment and surrounding issues. Their altruistic endeavor aims to inspire creativity that will raise awareness through various events and exhibitions, such as their current show “Pure Water Vision.” Featuring a collection of works from the ten finalists of the Acea EcoArt 2010 Pure Water Vision competition, artists explore the relationship between man, water and the environment through photography, video, painting, sculpture or performance.
Focusing on the inherent interactions between humans and nature, the artists addressed issues from global warming to biodiversity to the human effect on ecosystems, covering a broad spectrum of issues facing the environment today.
Art Dubai was presented Under the Patronage of His Highness Sheikh Mohammed Bin Rashid Al Maktoum, Vice-President and Prime Minister of the UAE, Ruler of Dubai.
Welcoming a total of 81 galleries from 34 countries—with one-third of the participants based in the Middle East, one-third in Europe and one-third in the United States and Asia. This year’s Art Dubai, the first organised under the leadership of Fair Director Antonia Carver, is also the most diverse and forward-looking to date for the Middle East’s largest contemporary art event.
“Dubai has been a trading post and meeting point for South Asia, Iran, the Arab world and Africa for hundreds of years,” said Antonia Carver. “Over the past decade, Dubai has become the commercial art centre of the region and a city of ideas and entrepreneurship, providing homegrown support for artists, exhibitions and galleries. Through the fair and our platforms for dialogue, Art Dubai has been an integral part of this development and while rooted in the region, we are committed to looking to the future and continuing our role as a catalyst linking Asia and the Middle East with the rest of the world.”
Antonia Carver continued, “We aim for Art Dubai to be a fair of discovery – for the international collectors, curators, artists, gallerists and museum groups that attend the fair aiming to catch up on all that’s happening in the Middle East and South Asia, and for those based in the region to engage with the most dynamic of international galleries. At Art Dubai, these audiences will be able to discover the work of more than 500 artists, as presented in booths, installations, performances, dispatches, talks and screenings.”
Showcasing paintings, sculpture, photography, works on paper and video installations from a host of first-timers as well as returning galleries, the fifth edition of Art Dubai features exciting work from emerging artists and museum-quality masterworks. The fair features an ambitious range of galleries, with more than a dozen significant, curatorially focused galleries exhibiting in the Middle East for the first time; an increased number of single-artist gallery shows, allowing viewers to delve into an artist’s practice in depth; and the strongest showing of galleries from Turkey and South Asia to date.
This year also sees the debut of MARKER, a new platform for experimental art spaces from Asia and the Middle East showcasing projects by emerging artists. Curated by Nav Haq, this section includes five dynamic project spaces: Alexandria Contemporary Arts Forum (Alexandria, Egypt), GREY NOISE (Lahore, Pakistan), Liu Ding’s Store (Beijing, China), Makan (Amman, Jordan) and Ruangrupa (Jakarta, Indonesia). Each organisation will present new projects that have been conceived specifically for Art Dubai and that bridge the gap between the commercial and curatorial components of the art fair.
Programming for the fair included Global Art Forum_5, a four-day series of discussions curated by a committee chaired by Shumon Basar, which explored how a changed world has changed audiences for contemporary art, how expectations have affected artists and their work, and how art and fashion collide. The result of a dynamic partnership between Dubai Culture & Arts Authority (Dubai Culture), Mathaf: Arab Museum of Modern Art in Doha, Qatar, Abu Dhabi Authority for Culture & Heritage (ADACH), Ministry of Culture, Kingdom of Bahrain, this year’s forum is the most collaborative yet. Speakers included: Hans Ulrich Olbrist, Co-Director, Exhibitions and Programmes, and Director of International Projects, Serpentine Gallery, London; Francesco Vezzoli, artist; Germano Celant, Director, Fondazione Prada; Sultan Sooud Al Qassemi, Founder, Barjeel Art Foundation; Wassan Al Khudhairi, Director, Mathaf: Arab Museum of Modern Art; and Vasif Kortun,Director of Research and Programs, SALT, Istanbul; Curator, UAE Pavilion for the Venice Biennale 2011. Natascha Sadr Haghighian, this year’s Global Art Forum Artist-in- Residence, responds to the discussions through a bibliographic journey hosted on this website. 2011 also marks the launch of Forum Fellows, a programme that offers a group of young curators and artists from Abu Dhabi, Antakya, Dhaka, Karachi, Jerusalem and Tehran the opportunity to engage with all aspects of the fair.
In addition to the Global Art Forum, Art Dubai hosted a series of talks including On Collecting, focusing on arts patronage; Art Park Talks, which include performances, conversations and practical workshops; and THE BIG IDEA, a dynamic forum for UAE-based artists and designers, organised by Bidoun Projects.
Art Dubai Projects took an observational, almost anthropological approach to the gallery metropolis created by Art Dubai. The rich programme of new works and performances includes painters Ali Chitsaz and Mounira Al Sohl in collaboration with Bassam Ramlawi taking on the theme of ‘labour’ in a live mural; the commissioning of Oraib Toukan to create a new work within the grounds of the fair while Hrair Sarkissian has adapted an existing work that – in its new state – plays with the façade of Madinat Jumeirah; works created by Abbas Akhavan and Shaikha Al Mazrou during the Delfina Foundation’s eight-week residency programme in Bastakiya, with the support of Dubai Culture & Arts Authority (Dubai Culture) and Tashkeel; performative tours of the fair by Malak Helmy and Abhishek Hazra; a bank of radio dispatches from artists’ studios curated by The Island (Victoria Brooks and Andrew Bonacina); and Art Park, a series of films, talks and projects curated by Bidoun Projects that features retrospectives of video artists Wael Shawky and Sherif El-Azma.
The largest and most diverse edition to date, Art Dubai experienced strong sales during its 2011 presentation from 16-19 March and attracted more than 20,000 guests, with a 30 percent increase in international visitors. Underscoring its role as a vital cultural meeting point connecting the Middle East and Asia with the rest of the world, Art Dubai 2011 was attended by curators, collectors, gallerists, artists, museum directors and more than 60 museum groups.
Of the 81 participating galleries, the majority experienced strong sales from the outset with major purchases from international and regional institutions in addition to established and first-time collectors from the Middle East, Europe, Asia and the United States. A number of participating galleries, including Chatterjee & Lal and Chemould Prescott Road (Mumbai), BISCHOFF/WEISS (London), Kalfayan Galleries (Athens /Thessaloniki), Sutton Gallery (Melbourne), Mah Art Gallery (Tehran), AB Gallery (Lucerne/Zurich), Grey Noise (Lahore), Gandhara-art (Hong Kong/Karachi), Pilar Corrias (London), Dirimart (Istanbul), Priska C. Juschka Fine Art (New York) and GALLERY ISABELLE VAN DEN EYNDE (Dubai) among others sold most of their available works at the fair.
“Spring 2011 marks a shift in the cultural life of the Gulf,” said Fair Director Antonia Carver, who is in her inaugural year leading Art Dubai. “Never before has there been such a level of international interest in the arts scenes of the MENASA or such a level of regional support for artists and their projects. Galleries at Art Dubai 2011 reported strong sales and the fair offered an unprecedented level of innovative artists’ projects and educational events, which we feel are part of what makes this fair unique.”
Exhibitors offered positive reports of their experience at the fair, including:
“Art Dubai has been really successful for us,” said Paola Weiss of BISCHOFF/WEISS (London). “I’ve noticed that there is now a solid Middle Eastern collector base, which has grown immensely over the past two years and now stands out to me. In general people seem more interested in collecting. Furthermore, arts patronage has really started to show.”
“We’ve had a great experience here,” said Adrian Turner, Senior Director, Marianne Boesky Gallery (New York). “Everyone seems very warm and inviting and we’ve accomplished more than we’d hoped. We’re coming back.”
“I had a great experience here at Art Dubai and really met a lot of people who are very interested in our work,” said Sappho Ma, Gallery Director, Connoisseur Contemporary (Hong Kong). “And equally important—the fair was satisfying as a human experience; great people, great parties and a great spirit.”
“Despite showing an artist with a proven track record in the region, we were overwhelmed by response both in terms of critical reception and sales,” said Mortimer Chatterjee of Chatterjee & Lal (Mumbai).
This year also saw particularly strong attendance from the more than 400 exhibited artists representing 57 countries, including Diana Al-Hadid, Liu Ding, Shezad Dawood, Hrair Sarkissian, Raafat Ishak, Slavs and Tatars, Timo Nasseri, Oraib Toukan, Wafaa Bilal, Sebastian Lütgert, Farhad Moshiri, Charlie Koolhaas, Natascha Sadr Haghighian, Kamrooz Aram, Nabil Nahas, Abhishek Hazra, Kader Attia, Walid Raad and Nadia Kaabi-Linke.
Coinciding with Sharjah Biennial 10, the fifth edition of Art Dubai was inaugurated by His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice-President and Prime Minister of the UAE and Ruler of Dubai. Her Royal Highness Sheikha Manal bint Mohammed Bin Rashid Al Maktoum hosted Ladies Day at Art Dubai.
The international art world turned out to Art Dubai 2011 in record numbers, including museum groups and representatives from Mathaf: Arab Museum of Modern Art (Qatar), Qatar Museums Authority, Solomon R. Guggenheim Museum and Foundation (New York), MoMA (New York), Tate Modern (London), Hong Kong Museum of Art, Museum of Contemporary Art (Sydney), Centre Pompidou (Paris), Sotheby’s Institute, Performa (New York), and Cartier Foundation (Paris).
Art Dubai Live, a new ongoing initiative, launched on 19 March at http://www.artdubailive.ae. All galleries’ booths are represented on the site with interviews filmed throughout the fair. Visitors to the site can also watch footage of the programmes that took place during this year’s physical fair, as well as those in the past.
In this video, Vernissage takes us on a walk-through of the exhibition “Geroge Condo: Mental States” at The New Museum. With an introduction by the museum’s associate curator, Gary Carrion-Murayari, we get a look at a “conceptual survey” of the paintings and sculptures created by the artist over the past 30 years, including the his popular portraits of invented characters.
Scott Campbell’s signature style of art and design made the trek over in a Los Angeles premiere for his show “Noblesse Oblige”. The exhibition brought forth an array of works that have come to epitomize the tattoo artist and creative. Among the highlights was his use of uncut $1 sheets of American bills as well as other mediums including such as porcelain.
Fresh Paint contemporary art fair, Tel Aviv,will be held between 5-9 April in the Botanic Gardens in the southern part of Tel Aviv. The fair provides a meeting-place for art lovers, artists and art professionals,and an opportunity to purchase the work of top contemporary artists.
The fair, which takes place every year at a new, surprising location in Tel Aviv – the beating heart of the Israeli cultural world – brings together all the significant forces of the Israeli art world and enjoys the support of leading international art institutions.
All the leading Israeli galleries will be taking part in Fresh Paint 4, along with The Independent Artists’ Greenhouse which will present the works of dozens of promising up-and-coming artists. The fair will feature a solo exhibition of the work of Nivi Alroy, winner of the Most Promising Artist award for 2010, and present new works of art, installations and video exposed for the first time. Again this year, the fair will initiate and implement a number of artistic community projects including its successful Secret Postcard Project, and will offer enrichment programs featuring video screenings, lectures, discussions with artists and workshops.
The first 5 people who will request an invitation, will get one for the preview day!
The ICA (Institute of Contemporary Art) Gala Party in conjunction with made.com have joined forces in an upcoming event featuring several customized pieces of art work based on utilitarian products. Such well-known artists such as Damien Hirst and Chinese artist Ai WeiWei have come on board to work their personal styles over items such as bicycles. Other artists involved have been given mediums such as Piggy Bags, Arche Lamps, Champion Pro Football Tables and Hollander Bikes for their own interpretation. A full list of artists and information can be seen over at made.com. The preview exhibition will be held from March 23 – 27 at the ICA with a fundraising auction on March 29.