Tristan Eaton’s new 3D art book is unreal. The pop artist and designer of the original Dunny/Munny characters has created the literary equivalent of leaving your eyeballs to soak in a dish of LSD overnight, with hallucinatory 3D effects applied to the work of a ‘who’s who’ lineup of pop artists. Put on your 3D shades and get a multi-dimensional eyeful of works by James Jean, HAZE, Junko Mizuno, Ron English, Nathan Jurevicius, Cey Adams, Stash, Mark Bode, Shepard Fairey, Tara McPherson, D*Face, Askew, Logan Hicks and many many more…
Over 100 artists contributed to this awsome book which is probably more fun than anything else you have on your coffee table right now. Not to mention 3D shades are mad styling.
On the evening of 10 May 2011, Sotheby’s will offer one of the most important works by Jeff Koons ever to have appeared at auction. Pink Panther from 1988 draws on many of the themes that have come to define Koons’ output and stands as one of the outstanding achievements of his illustrious career. The porcelain sculpture is the artist’s proof from an edition of three with the other examples in the Museum of Modern Art in New York, the Museum of Contemporary Art in Chicago and a prominent private American collection, and belongs to the artist’s iconic Banality series that includes Michael Jackson and Bubbles, Bear and Policeman and Ushering in Banality. Pink Panther will appear on the front and back covers of the sale catalogue for the spring Contemporary Art Evening Auction in New York and is estimated to fetch $20/30 million.
“Together with Balloon Dog and Bunny, Pink Panther is a 20th-century masterpiece and one of the most iconic sculptures of Jeff Koons’s oeuvre,” commented Tobias Meyer, Worldwide Head of Contemporary Art at Sotheby’s.
Representing the highest tier of Jeff Koons’ artistic achievement, Pink Panther is immediately identifiable as a masterpiece not only of the artist’s historic canon, but also of the epoch of recent Contemporary Art. It conflates the classic themes that define the artist’s output – materiality and artificiality, eroticism and naivety, popular culture and rarefied elitism – and is the model expression of one of the most innovative and influential artists of our times. Initially unveiled at Koons’ seminal show Banality, held at the Sonnabend Gallery, New York in 1988, Pink Panther has been emblematic of this remarkable series ever since, which is itself regarded as a landmark of Koons’ oeuvre.
In Pink Panther, the display of the woman’s semi-naked body is sensual. However, with the bizarrely incongruous cuddly Pink Panther toy clinging to this literal embodiment of carnal desire, Koons strikes an outrageous contrast between the competing powers of adult and childhood associations. Although the Pink Panther cartoon character was initially created by Hawley Pratt for the opening sequence of the eponymous 1963 film starring Peter Sellers as the bungling Inspector Clouseau, it was only after becoming the protagonist of its own 1960s television show that it entered the mainstream consciousness as a contemporary Pop icon.
The artist’s painstaking selection of media is central to the conceptual project, contributing directly to the importance of the work. The terms of its execution are flawless: the contrasting textures of the porcelain surfaces are rendered in dazzlingly vivid colours that reinforce the object’s artificiality, while the transparent glazes simultaneously evoke the fragility of thin glass and the ethereal nature of a reflective liquid.
Art Dubai was presented Under the Patronage of His Highness Sheikh Mohammed Bin Rashid Al Maktoum, Vice-President and Prime Minister of the UAE, Ruler of Dubai.
Welcoming a total of 81 galleries from 34 countries—with one-third of the participants based in the Middle East, one-third in Europe and one-third in the United States and Asia. This year’s Art Dubai, the first organised under the leadership of Fair Director Antonia Carver, is also the most diverse and forward-looking to date for the Middle East’s largest contemporary art event.
“Dubai has been a trading post and meeting point for South Asia, Iran, the Arab world and Africa for hundreds of years,” said Antonia Carver. “Over the past decade, Dubai has become the commercial art centre of the region and a city of ideas and entrepreneurship, providing homegrown support for artists, exhibitions and galleries. Through the fair and our platforms for dialogue, Art Dubai has been an integral part of this development and while rooted in the region, we are committed to looking to the future and continuing our role as a catalyst linking Asia and the Middle East with the rest of the world.”
Antonia Carver continued, “We aim for Art Dubai to be a fair of discovery – for the international collectors, curators, artists, gallerists and museum groups that attend the fair aiming to catch up on all that’s happening in the Middle East and South Asia, and for those based in the region to engage with the most dynamic of international galleries. At Art Dubai, these audiences will be able to discover the work of more than 500 artists, as presented in booths, installations, performances, dispatches, talks and screenings.”
Showcasing paintings, sculpture, photography, works on paper and video installations from a host of first-timers as well as returning galleries, the fifth edition of Art Dubai features exciting work from emerging artists and museum-quality masterworks. The fair features an ambitious range of galleries, with more than a dozen significant, curatorially focused galleries exhibiting in the Middle East for the first time; an increased number of single-artist gallery shows, allowing viewers to delve into an artist’s practice in depth; and the strongest showing of galleries from Turkey and South Asia to date.
This year also sees the debut of MARKER, a new platform for experimental art spaces from Asia and the Middle East showcasing projects by emerging artists. Curated by Nav Haq, this section includes five dynamic project spaces: Alexandria Contemporary Arts Forum (Alexandria, Egypt), GREY NOISE (Lahore, Pakistan), Liu Ding’s Store (Beijing, China), Makan (Amman, Jordan) and Ruangrupa (Jakarta, Indonesia). Each organisation will present new projects that have been conceived specifically for Art Dubai and that bridge the gap between the commercial and curatorial components of the art fair.
Programming for the fair included Global Art Forum_5, a four-day series of discussions curated by a committee chaired by Shumon Basar, which explored how a changed world has changed audiences for contemporary art, how expectations have affected artists and their work, and how art and fashion collide. The result of a dynamic partnership between Dubai Culture & Arts Authority (Dubai Culture), Mathaf: Arab Museum of Modern Art in Doha, Qatar, Abu Dhabi Authority for Culture & Heritage (ADACH), Ministry of Culture, Kingdom of Bahrain, this year’s forum is the most collaborative yet. Speakers included: Hans Ulrich Olbrist, Co-Director, Exhibitions and Programmes, and Director of International Projects, Serpentine Gallery, London; Francesco Vezzoli, artist; Germano Celant, Director, Fondazione Prada; Sultan Sooud Al Qassemi, Founder, Barjeel Art Foundation; Wassan Al Khudhairi, Director, Mathaf: Arab Museum of Modern Art; and Vasif Kortun,Director of Research and Programs, SALT, Istanbul; Curator, UAE Pavilion for the Venice Biennale 2011. Natascha Sadr Haghighian, this year’s Global Art Forum Artist-in- Residence, responds to the discussions through a bibliographic journey hosted on this website. 2011 also marks the launch of Forum Fellows, a programme that offers a group of young curators and artists from Abu Dhabi, Antakya, Dhaka, Karachi, Jerusalem and Tehran the opportunity to engage with all aspects of the fair.
In addition to the Global Art Forum, Art Dubai hosted a series of talks including On Collecting, focusing on arts patronage; Art Park Talks, which include performances, conversations and practical workshops; and THE BIG IDEA, a dynamic forum for UAE-based artists and designers, organised by Bidoun Projects.
Art Dubai Projects took an observational, almost anthropological approach to the gallery metropolis created by Art Dubai. The rich programme of new works and performances includes painters Ali Chitsaz and Mounira Al Sohl in collaboration with Bassam Ramlawi taking on the theme of ‘labour’ in a live mural; the commissioning of Oraib Toukan to create a new work within the grounds of the fair while Hrair Sarkissian has adapted an existing work that – in its new state – plays with the façade of Madinat Jumeirah; works created by Abbas Akhavan and Shaikha Al Mazrou during the Delfina Foundation’s eight-week residency programme in Bastakiya, with the support of Dubai Culture & Arts Authority (Dubai Culture) and Tashkeel; performative tours of the fair by Malak Helmy and Abhishek Hazra; a bank of radio dispatches from artists’ studios curated by The Island (Victoria Brooks and Andrew Bonacina); and Art Park, a series of films, talks and projects curated by Bidoun Projects that features retrospectives of video artists Wael Shawky and Sherif El-Azma.
The largest and most diverse edition to date, Art Dubai experienced strong sales during its 2011 presentation from 16-19 March and attracted more than 20,000 guests, with a 30 percent increase in international visitors. Underscoring its role as a vital cultural meeting point connecting the Middle East and Asia with the rest of the world, Art Dubai 2011 was attended by curators, collectors, gallerists, artists, museum directors and more than 60 museum groups.
Of the 81 participating galleries, the majority experienced strong sales from the outset with major purchases from international and regional institutions in addition to established and first-time collectors from the Middle East, Europe, Asia and the United States. A number of participating galleries, including Chatterjee & Lal and Chemould Prescott Road (Mumbai), BISCHOFF/WEISS (London), Kalfayan Galleries (Athens /Thessaloniki), Sutton Gallery (Melbourne), Mah Art Gallery (Tehran), AB Gallery (Lucerne/Zurich), Grey Noise (Lahore), Gandhara-art (Hong Kong/Karachi), Pilar Corrias (London), Dirimart (Istanbul), Priska C. Juschka Fine Art (New York) and GALLERY ISABELLE VAN DEN EYNDE (Dubai) among others sold most of their available works at the fair.
“Spring 2011 marks a shift in the cultural life of the Gulf,” said Fair Director Antonia Carver, who is in her inaugural year leading Art Dubai. “Never before has there been such a level of international interest in the arts scenes of the MENASA or such a level of regional support for artists and their projects. Galleries at Art Dubai 2011 reported strong sales and the fair offered an unprecedented level of innovative artists’ projects and educational events, which we feel are part of what makes this fair unique.”
Exhibitors offered positive reports of their experience at the fair, including:
“Art Dubai has been really successful for us,” said Paola Weiss of BISCHOFF/WEISS (London). “I’ve noticed that there is now a solid Middle Eastern collector base, which has grown immensely over the past two years and now stands out to me. In general people seem more interested in collecting. Furthermore, arts patronage has really started to show.”
“We’ve had a great experience here,” said Adrian Turner, Senior Director, Marianne Boesky Gallery (New York). “Everyone seems very warm and inviting and we’ve accomplished more than we’d hoped. We’re coming back.”
“I had a great experience here at Art Dubai and really met a lot of people who are very interested in our work,” said Sappho Ma, Gallery Director, Connoisseur Contemporary (Hong Kong). “And equally important—the fair was satisfying as a human experience; great people, great parties and a great spirit.”
“Despite showing an artist with a proven track record in the region, we were overwhelmed by response both in terms of critical reception and sales,” said Mortimer Chatterjee of Chatterjee & Lal (Mumbai).
This year also saw particularly strong attendance from the more than 400 exhibited artists representing 57 countries, including Diana Al-Hadid, Liu Ding, Shezad Dawood, Hrair Sarkissian, Raafat Ishak, Slavs and Tatars, Timo Nasseri, Oraib Toukan, Wafaa Bilal, Sebastian Lütgert, Farhad Moshiri, Charlie Koolhaas, Natascha Sadr Haghighian, Kamrooz Aram, Nabil Nahas, Abhishek Hazra, Kader Attia, Walid Raad and Nadia Kaabi-Linke.
Coinciding with Sharjah Biennial 10, the fifth edition of Art Dubai was inaugurated by His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice-President and Prime Minister of the UAE and Ruler of Dubai. Her Royal Highness Sheikha Manal bint Mohammed Bin Rashid Al Maktoum hosted Ladies Day at Art Dubai.
The international art world turned out to Art Dubai 2011 in record numbers, including museum groups and representatives from Mathaf: Arab Museum of Modern Art (Qatar), Qatar Museums Authority, Solomon R. Guggenheim Museum and Foundation (New York), MoMA (New York), Tate Modern (London), Hong Kong Museum of Art, Museum of Contemporary Art (Sydney), Centre Pompidou (Paris), Sotheby’s Institute, Performa (New York), and Cartier Foundation (Paris).
Art Dubai Live, a new ongoing initiative, launched on 19 March at http://www.artdubailive.ae. All galleries’ booths are represented on the site with interviews filmed throughout the fair. Visitors to the site can also watch footage of the programmes that took place during this year’s physical fair, as well as those in the past.
In this video, Vernissage takes us on a walk-through of the exhibition “Geroge Condo: Mental States” at The New Museum. With an introduction by the museum’s associate curator, Gary Carrion-Murayari, we get a look at a “conceptual survey” of the paintings and sculptures created by the artist over the past 30 years, including the his popular portraits of invented characters.
Fresh Paint contemporary art fair, Tel Aviv,will be held between 5-9 April in the Botanic Gardens in the southern part of Tel Aviv. The fair provides a meeting-place for art lovers, artists and art professionals,and an opportunity to purchase the work of top contemporary artists.
The fair, which takes place every year at a new, surprising location in Tel Aviv – the beating heart of the Israeli cultural world – brings together all the significant forces of the Israeli art world and enjoys the support of leading international art institutions.
All the leading Israeli galleries will be taking part in Fresh Paint 4, along with The Independent Artists’ Greenhouse which will present the works of dozens of promising up-and-coming artists. The fair will feature a solo exhibition of the work of Nivi Alroy, winner of the Most Promising Artist award for 2010, and present new works of art, installations and video exposed for the first time. Again this year, the fair will initiate and implement a number of artistic community projects including its successful Secret Postcard Project, and will offer enrichment programs featuring video screenings, lectures, discussions with artists and workshops.
The first 5 people who will request an invitation, will get one for the preview day!
The ICA (Institute of Contemporary Art) Gala Party in conjunction with made.com have joined forces in an upcoming event featuring several customized pieces of art work based on utilitarian products. Such well-known artists such as Damien Hirst and Chinese artist Ai WeiWei have come on board to work their personal styles over items such as bicycles. Other artists involved have been given mediums such as Piggy Bags, Arche Lamps, Champion Pro Football Tables and Hollander Bikes for their own interpretation. A full list of artists and information can be seen over at made.com. The preview exhibition will be held from March 23 – 27 at the ICA with a fundraising auction on March 29.
Spoke Art presents “Quentin vs. Coen – An art show tribute to the ﬁlms of Tarantino and the Brothers”, a followup to last yearʼs highly successful “Bad Dads – a tribute to Wes Anderson.” For “Quentin vs. Coen”, Spoke Art has arranged a battle-royal style art show featuring over 100 world class artists from the new contemporary art scene. Painters, screen printers and digital artists were invited to reinterpret their favorite scenes, characters and ﬁlms from the heralded directors, resulting in an eclectic showing of inspirational ﬁne art. No restrictions were placed on content or subject matter, allowing each artist to chose their personal favorite scenes, ﬁlms and characters. With over 100 artists, “Quentin vs. Coen” offers a broad range of affordable prints and also ﬁne art works. The show opens on Thursday, April 7 at Bold Hype Gallery in New York City and will be on view until Saturday, April 9, 2011.
French publication Clark Magazine celebrates its 47th issue for March/April 2011. The work of Evan Robarts graces the cover while featured participants include Humberto Leon of Opening Ceremony, young Basque chef Inaki Aizitarte, Cody Hudson and musician Hanni El Khatib, amongst many others. The issue is now available here.
No more glass back? If rumors are true, the iPhone 5′s dorsal side will evolve into a metal back similar to the very first iPhone (that’s not a picture of the iPhone 5 above — it’s an iPhone 4 with a metal sticker on the back). That’s according to a reliable source at Foxconn, the Chinese manufacturer that builds iPhones and such, who tattled the tantalizing tidbit to 9 to 5 Mac.
As you know… I am an avid surfer and even if you are not one, you have to read this eBay UK listing for a slightly worn wetsuit. The seller, Dan Morgan, manages to work in “an old man’s testicle,” his own hygiene habits, and a “bear using a urinal.” The key to good advertising copy is to tell a story. He’s doesn’t just describe the “used XCEL 3-2mm Infiniti Drylock Summer Wetsuit” for sale, he wraps a narrative around the wetsuit.
And it’s hilarious. I’ve reposted the description from the eBay listing below for posterity. Remember, the key takeaway here is that he has “NEVER urinated in this suit.”
The listing is already going viral. Seeing a marketing opportunity, XCEL Wetsuits is donating a second, brand new wetsuit to the winner, and DryRap is getting in on the action too by throwing in their changing towel, and Carve Magazine is giving a one year free subscription so to speak. The bidding is up to 1700 Pounds with 95 bidders, even though Morgan bought the original for only 300 Pounds. He will donate 90 percent of the proceeds to the Red Cross for Japan relief.
The listing is brilliant, as they say in Britain. Unfortunately, eBay doesn’t think so. Morgan says he’s been contacted about some of the language and “unprofessionalism” of the listing (they don’t like the picture of the bear, apparently. Maybe it’s got something to do with false advertising). As a result, eBay is threatening to remove the listing. But it’s not offensive. It’s just good marketing. And almost all the money is going to charity, so eBay would look pretty callous if it does remove it.
HOWEVER you will like this, If it was not being worn, it was hung on a hangar or rolled to prevent creasing AND I rinsed it in fresh water after EVERY session so it’s in VERY good condition as I look after my gear, I always do, similarly I take care of my body and shower at least once a day and always moisturise. Yes you’re probably getting a feel for the kind of man I am. You can see from the pictures it has no creases and looks lovely. My friend Gaz has got a wetsuit that he doesn’t look after and it looks like an Elephant’s arse, all wrinkled, a bit like an old man’s testicle.
You’re probably thinking “People p*ss in wetsuits, I’m not sure about a second hand wetsuit”, but believe it or not I have NEVER urinated in this suit, seriously, these suits are too good to be doing such a vulgar act in, the wee just ends up staying in the suit and then when you’re sat having a post-surf pint in the pub you smell awful and girls don’t like boys that smell of p*ss so you just sit there, alone all night, sobbing into your pint of Betty Stoggs like a lonely desperate p*ss smelling man.
I’ve included a picture of a bear using a urinal, this is how I normally use the toilet, notice that the animal is not wearing a wetsuit. Although I am not a bear, I, like a bear, do not p*ss in wetsuits.
It’s a size medium or “m”, it was the top of the range suit when I bought it, I think I paid around £300 for it, still a great warm suit that will make you surf at least 200% better. It won’t really but it will keep you warm and it’s flexible so you’ll be able to throw your arms around like Beyonce whilst you’re bouncing along a wave. People will look at you and say “f*ckin hell check that dude out, he knows what he’s doing wearing one of those Xcel suits and he’s got some fresh dance moves”. They probably won’t say this.
Now as it’s been worn, there’s some signs of wear around the neck, which I’ve taken pictures of, so you don’t say “oi you c*nt, there’s area of wear around the neck I’m giving you bad feedback”. The pictures make it look worse than it is (because they’re close-ups), and I’ve taken the pictures with the suit turned inside out, when it’s the right way round you don’t see the wear and it has no effect on the performance of the suit. That was a bit boring wasn’t it, but it had to be done so you can’t take me to eBay court for not being honest with you.
Why am I selling it? Well I’ve just bought a new one, as I’m a flash tw*t like that, I tend to get a new suit every season, I just like the feel of fresh neoprene on my soft skin, and well to be honest I could do with some cash to pay for prostitutes. No, that was a joke, now you’re going to think the suit is riddled with disease but it’s not as I was joking I do NOT engage with ladies of the night.
I’ll post it out the next working day following cleared payment, or if you’re around the Truro area you can come and collect it thus avoiding postage charges. Having said that, if you’re a maniac, maybe you should just let me post it to you as I don’t want to be murdered to death, especially as the summer is just beginning! WOO HOO.
Any questions just ask, I’ll answer them very quickly as I’m sat at a computer all f*cking day, unless there’s waves.
Thanks for looking and reading all of that ridiculous text, I hope you have a wonderful day.