Gagosian Gallery presents “Richard Prince: de Kooning” an exhibition of paintings and works on paper. This coincides with “Richard Prince: American Prayer” at the Bibliothèque nationale de France, an exhibition of American literature, ephemera and artworks from Prince’s personal collection.
Prince’s “de Kooning” series is a process of interaction with the canonic imagery of the Abstract Expressionist idol Willem de Kooning. The idea for these edgy Oedipal works came to him when he was leafing through a catalogue of de Kooning’s Women series. He started sketching over the paintings, sometimes drawing a man to de Kooning’s woman. As time went on, he began applying fragments of male and female torsos, genitalia, thighs, and facial features, cut and pasted from catalogues and vintage porn magazines, as well as drawing with graphite and oil crayon, adding outlines, silhouettes and textures to the original figures that further blur the distinction between de Kooning’s imagery and Prince’s own.
From these intensely worked drawings evolved a series of paintings that are, similarly, montages of elements from de Kooning’s original paintings with figures cut from printed matter. The results are blown up onto large canvases via ink-jet printer, then the original material all but painted over. From the resulting abstract grounds, Prince then conjures up crude figures that recall de Kooning’s savage female subjects. The resulting hermaphroditic creatures are hybrids on several levels, merging male with female, painting with photography and print, and the refinement of modernist art with the vulgarities of mass cultural representation. Both homage and desecration, the de Kooning paintings exemplify Prince’s vision of a “Spiritual America,” a historical consciousness fueled by a pervasive desire for rebellion and reinvention.
Mining images from mass media, advertising and entertainment since the late seventies, Prince has redefined the concepts of authorship, ownership, and aura. Applying his understanding of the complex transactions of representation to the making of art, he evolved a unique signature filled with echoes of other signatures yet that is unquestionably his own. An avid collector and perceptive chronicler of American subcultures and vernaculars and their role in the construction of American identity, he has probed the depths of racism, sexism, and psychosis in mainstream humor; and the mythical status of cowboys, bikers, customized cars, and celebrities. His most recent work is an explosive mix of pulp fiction, soft porn, and high art.
Richard Prince was born in 1949 in the Panama Canal Zone. His work has been the subject of major survey exhibitions, including the Whitney Museum of American Art, New York (1992); San Francisco Museum of Modern Art (1993); Museum Boijmans van Beuningen, Rotterdam(1993); Museum für Gegenwartskunst, Basel (2001, traveled to Kunsthalle Zurich and Kunstmuseum Wolfsburg); Serpentine Gallery, London (2008). The retrospective “Richard Prince: Spiritual America” opened at the Solomon R. Guggenheim Museum in 2007 and traveled to The Walker Art Center, Minneapolis in 2008. “Richard Prince: American Prayer”, an exhibition of American literature and ephemera from the artist’s collection, will be on view at the Bibliothèque nationale de France, Paris from March 29 – June 26, 2011.
Christie’s Post-War and Contemporary Art Evening Auction took place this evening and realised £19,063,350 / $31,778,604 / €22,513,816 selling 88% by lot and 86% by value. The top price was paid for Night Playground by Peter Doig (b.1959), 1997/98, an exemplary large scale painting described by the artist as one of his own favourites. It was offered at auction for the first time and realised £3,009,250 / $5,016,420 / €3,553,924, the second highest price for the artist at auction (estimate: £1.5 million to £2 million). A particularly rare urban view, the painting shows night falling on a city playground and portrays the contrast between nature and the man-made. At this evening’s auction, 4 works of art sold for over £1 million / 11 for over $1 million, and buyers (by lot / by origin) were 65% UK and Europe, 29% Americas and 6% Asia.
Francis Outred, International Director and Head of Post-War and Contemporary Art, Christie’s Europe: ‘We are delighted with the results of our sales tonight which continued the trend of strong sold rates seen in the first 6 months of this year at our international auctions. This evening, an active market saw 86% of lots find buyers in a sale that achieved strong prices – in particular, the outstanding result for Peter Doig’s ‘Night Playground’, which made the second highest price ever achieved for the artist at just over £3 million. What was most interesting was that 80% of works sold within or above their pre-sale estimates, and that we welcomed bids from a significant number of new collectors.’
Further highlights of the sale:
1025 Farben (1025 Colours) by Gerhard Richter (b.1932) realised £1,385,250 / $2,309,212 / €1,635,980, and was offered at auction for the first time having been in the ownership of the present European owner since 1974, the year in which it was painted. From a series considered to coincide with the most fruitful period in the artist’s career, the work sold this evening is from the last and most accomplished group of colour charts which he painted.
Country Nurse, 2003, by Richard Prince (b.1949), one of the largest works created for the artist’s celebrated and highly coveted Nurse series, sold for £1,721,250 / $2,869,324 / €2,032,796. For the Nurse series, Prince mined his own extensive collection of trashy romance novels from the 1950s and 1960s, lifting the protagonists and titles from their lurid covers and immersing them in layers of pigment. An exploration of female stereotypes, the series was subject to great attention in 2003 when Prince photographed Kate Moss for W magazine in front of one of his pictures while she was wearing a suggestive nurse’s outfit.
The auction offered 3 works by Jeff Koons (b. 1955) which represented three distinctive moments from the artist’s career, and all of which were offered at auction for the first time. Moustache, 2003, from the artist’s Popeye series sold this evening for £1,105,250 / $1,842,452 / €1,305,300. Flowers, 1986, from the artist’s Statuary series which also included his masterpiece, Rabbit, sold for £337,250 / $562,196 / €398,292; and Walrus (Blue), executed in 1999, sold for £361,250 / $602,204 / €426,636.
Untitled, by Cy Twombly (b.1928) realised £802,850 / $1,338,351 / €948,166, exceeding its pre-sale estimate of £500,000 to £700,000. This important work was executed in 1961, a watershed year in the artist’s career during which he created a number of masterpieces including the Ferragosto series which was recently united in an exhibition dedicated to the artist at Tate Modern last year.
· Rosso Gilera 60 1232 Rosso Guzzi 60 1305 by Alighiero Boetti (1940-1994) sold for £713,250 / $1,188,988 / €842,348 against a pre-sale estimate of £280,000 to £350,000 setting a record price for the artist at auction. Further artist records were established by Transiente by Julie Mehretu (b.1970) which realized £229,250 / $382,160 / €270,744; and Golden Independent Heart, 2004, a 4.5 metre tall, rotating heart made of plastic cutlery by Portuguese artist Joana Vasconcelos (b.1971) whose work has never before been offered at an international auction and which sold for £163,250 / $272,138 / €192,798 (estimate: £80,000 to £120,000).
On June 6th 2009, Punta della Dogana, the new art center for contemporary art of the François Pinault Foundation, opens its doors after fourteen months of renovation entrusted to the Japanese architect Tadao Ando. The first exhibition Mapping the Studio: Artists from the François Pinault Collection, curated by Alison M. Gingeras and Francesco Bonami, is shown simultaneously at Punta della Dogana and Palazzo Grassi and is shaped in response to the particular atmosphere of each space. With its triangular shape, Punta della Dogana split the Grand Canal from the Giudecca Canal. As center for contemporary art , the former monumental port of the city present a permanent exhibition of works from François Pinault Collection.
Undisputed masterpieces of contemporary art by such figures as Jeff Koons, Sigmar Polke, Cindy Sherman, Richard Prince, Cy Twombly, Takashi Murakami or Jake & Dinos Chapman are presented alongside pieces by emerging talents such as Matthew Day Jackson, Adel Abdessemed, Wilhelm Sasnal, Richard Hughes, Nate Lowman, Mark Bradford and Kai Althoff.
Conceived as a single exhibition that will unfold over the two venues, this presentation will be shaped in response to the particular atmosphere of each space: the inward-looking private sphere on one side, and the outward looking, world-at-large on the other. The two halves of the exhibition will constitute a dialogue between artists of different generations, covering a vast range of practices and aesthetic sensibilities.
François Pinault has entrusted the renovation of this 17th century edifice to Japanese architect Tadao Ando. Respecting the spirit of the original building, he has renovated the space in order to house a selection of works from the François Pinault Foundation, one of the world’s most important collections of contemporary art.
Punta della Dogana project
Tadao Ando drew up his plans for the new centre quickly. In effect, if one looks at his drawings one sees that, from the first, the broad outlines of the project were clear in his mind. The characteristic layout of the former warehouses, which occupy the triangular tongue of land where the Grand Canal meets the Giudecca Canal, was to be maintained.
And while extensive work on the foundations was to be carried out – to safeguard the structure from humidity and high water – the layout of the existing lofts was to be modified in order to create a space able to house the artworks of the François Pinault Collection. At a point almost dead-centre of the triangular floor plan, Ando immediately envisaged the creation of a new space standing the entire height of the building: a sort of pivot for the entire layout, this would occupy one of the middle warehouse aisles and was to be created in smooth and polished cement, a material that is now a recognised leitmotif of Ando’s architecture. This axial point – through which run all the routes within the structure – forms a cube, rising vertically within the volume of the building.
The work of restoration had to remove the unwanted accretions that had accumulated over time, with the new partition walls, stairs, walkways and service facilities all clearly identified as such. In effect, there is no attempt to disguise these new additions within the old body of the structure. Instead, there is a continual play of juxtaposition – almost as if Ando’s intention were to insert within the ancient building new volumes and levels that seem to mark out the stratifications added over time, organising them into a veritable spectacle of the structure’s own history.
Finally, he had the idea of creating gates for the water entrances that are explicit quotations of the wonderful gate that Carlo Scarpa designed in 1956. The design of these new doors and windows, though very modern, effectively employed Venetian traditional craft. Tadao Ando has thus succeeded in establishing a dialogue between old and new elements, creating a link between the history of the building, its present and its future.
François Pinault (born 21 August 1936) is a billionaire French businessman who runs the retail company PPR. He is a friend of former French President Jacques Chirac. According to Forbes List of billionaires (2008) he is ranked 39th in the world, with an estimated fortune of US$16.9 billion.
His holding company Artemis S.A., owns (or owned), among others, Converse shoes, Samsonite luggage, Château Latour, the Vail Ski Resort in Colorado, and Christie’s auction house. Artemis also owns Executive Life (now Aurora Life) in California, which was sued by policy holders when the company failed.
Pinault owns one of the biggest collections of contemporary art worldwide. On the magazine ArtReview’s 2006 list of most powerful people in modern art, he was ranked in first place. In 2006 he obtained the ownership of Palazzo Grassi in Venice to display the collection.
Pinault led PPR through a long battle over control of Gucci, the Italian fashion house, which began with an attempted takeover of Gucci by LVMH, the world’s largest luxury goods company. In March of 1999, Gucci asked PPR to acquire an ownership interest in Gucci to help fend off LVMH. The result was a struggle between the two richest men in France, both self-made billionaires — Pinault and Bernard Arnault, the Chairman of LVMH.
The dispute ended in September 2001, when LVMH agreed to sell its shares in Gucci to PPR for $94 a share. As part of the agreement, PPR promised to tender for the balance of the publicly traded shares at a later date. It completed that buy-in in July 2004 and took full control of Gucci.
In 1998, Pinault purchased a majority share of Christie’s auction house. In February 2000, A. Alfred Taubman, majority shareholder of rival company Sotheby’s stepped down amidst a scandal after the Federal Bureau of Investigation had investigated commission-fixing between the two companies. Pinault was not implicated, but rather it was his actions which precipitated the scandal. He fired Christie’s CEO Christopher Davidge over an allegation of extravagant spending. Davidge then admitted the collusion, which had gone on since about 1995, to Artemis’ CEO Patricia Barbizet. In October 2000, Sotheby’s CEO, Diana Brooks admitted her guilt in hopes of receiving a reduced sentence, and implicated Taubman. In December 2001, jurors in a high profile New York City courtroom found Taubman guilty of conspiracy. He served a year and a day in prison and Mrs. Brooks got 3 months of home confinement and a penalty of $350,000. International law permitted Christie’s to avoid prosecution (other than civil penalties).
Currently partnered to Mexican actress/producer Salma Hayek on March 9, 2007, they confirmed they were expecting their first child. On September 21, 2007, she gave birth to daughter Valentina Paloma Pinault at Cedars-Sinai Medical Center in Los Angeles, California. On July 18, 2008, Hayek and Pinault announced the end of their engagement. They later reconciled and were married on Valentine’s Day, 2009 in Paris. On April 25, 2009, they were married a second time in Venice.
Punta della Dogana
Chief Secretary for Administration, Mr. Henry Tang, at the opening ceremony of “Louis Vuitton: A Passion for Creation” exhibition at the Hong Kong Museum of Art said, “During my visit to Paris last year, we reached an agreement with LVMH to bring the “Louis Vuitton: A Passion for Creation” Exhibition to Hong Kong. I am delighted to be here tonight for the opening ceremony.” In a developing open-minded spirit, the Foundation was eager to invite ‘emerging’ Hong Kong artists to take part in this exhibition with the help of a young art critic and curator who lives in China.
“I encourage everyone to take advantage of the golden opportunity to see this spectacular collection of modern art by world-renowned designers, architects and artists. At the same time, works from several local artists will also be on display,” he added.
Symbol of elegance and exquisite French lifestyle, Louis Vuitton has maintained close links with the arts for more than a century and a half. Founded during the industrial era, Louis Vuitton has always been in step with its time, working with the best engineers, decorators and creators. Inventor of the art of travel, the man Louis Vuitton and his successors have forged a strong relationship between traditional know how and present day design.
The arrival of Marc Jacobs and artistic director in 1997 reinforced and underlined the link with artists. Exemplary collaboration with Stephen Sprouse, Takashi Murakami and Richard Prince has marked the history of the relationship between art and commerce. In Hong Kong, the Louis Vuitton and Art exhibition brings this exciting story to life, analysing the unique creative process through installations, where works of art and archive documents are brought together.
The Collection, a Choice
This exhibition of a selection of works from the Fondation Louis Vuitton pour la Création brings together a small number of significant large-scale works (paintings, photographs, video installations) by European, American and Chinese artists. These reflect an urban and energetic culture, leading to fictional landscapes, somewhere between dream and adventure.
Artists include: Jean-Michel Basquiat, Paul Chan, Cao-Fei, Yang Fudong, Gilbert & George, Dominique Gonzalez-Foerster, Andreas Gursky, Pierre Huyghe, Jeff Koons, Bertrand Lavier, Christian Marclay, Richard Prince.
Works by recognised and newly-discovered international artists working in the medium of video will be shown : Bas Jan Ader (Netherlands), Kader Attia, Cyprien Gaillard, Ange Leccia, Philippe Parreno (France), Olga Chernysheva (Russia), David Claerbout (Belgium), Trisha Donnelly, Ryan Trecartin (USA), Steve Mc Queen (Great Britain), Anri Sala (Albania), Zhou Tao (China), Rosemarie Trockel (Germany) among others.
A 1987 Buick Grand National is the canvas for this latest piece from Richard Prince while bare breasted “girls” are the subject of this creation now on show at the Serpentine Gallery in London. These airbrushed “cheesy all-American “girl” pasted onto the cheesy all-American car” are arranged in a photo montage entitled Live Free or Die, a set of topless 1970s women draped across motorcycles; the bikes gleaming and women are as limp as socks. And most impressive of all, they’re in a set of painted-over collages of bottoms and fronts and genitals and grotesque, cartoonish, writhing, lumpen female bodies called Untitled (de Kooning). Really enjoying the irony of this piece, making it a must see if in the area for any Richard Prince fan.
Read much more over at the Guardian
American artist Richard Prince follows his recent Guggenheim retrospective with Richard Prince: Continuation at Serpentine Gallery in London. This indepth exhibition will consist of work from Prince’s more established pieces from the past 30 years as well as recent pieces capping off the installation. Expect to see his iconic cowboy series, where the artist rephotographed and enlarged images of American masculinity from Marlboro cigarette advertisements on show making for a must see if in the area when it opens on June 26.
Richard Prince is one of the most famous figures in the Art World, and last year his name became even more recognisable after his colaboration with Marc Jacobs and Louis vuitton. Dejour Magazine scored a rare interview with the artist, and discuss those colabs. Definately worth a read.
Richard Prince new exhibition “Spiritual America” at the Guggenheim NY, is a major retrospective spanning three decades, with an array of about 160 photographs, drawings, paintings and sculptures, most of which incorporate images or objects cribbed from popular culture.
The exhibition highlights Prince’s contributions to the development of contemporary art, bringing together key examples of his photographs, paintings, sculptures, and works on paper in an installation that integrates the various series comprising his oeuvre.
Mr. Prince was born in the Panama Canal Zone in 1949 and has shown in New York since the late 1970s. He is a leading member of the sprawling appropriation generation of the early ’80s that included artists like Barbara Kruger, Cindy Sherman and Jeff Koons and that continues to add new recruits, like Wayne Guyton and Kelly Walker.